for me are part of the work itself, born together with it, they
are in the painted canvass, in the drawn sheet, in the sculptured
bronze. They complete my works and never are arbitrary. Maybe some
work born without titles…but this happens rather with preparatory
works or sketches that, later, I decide to show in public. In my
poetry, titles correspond, almost always, to the last verse. But
not even in this case it’s a decision taken previously, a
fixed or predetermined scheme.
to Gladys Sica by Edith Checa published on spanish magazine “Jirones
there a thoroughly unity that supports the different multifoil lobes:
painting, poetry, sculpture, engraving and intagliated cartons?
I would say yes, it is due to an interesting interaction, to an
interplay between the two main artist souls, the plastic one and
the poetic-musical one."
De Faveri, one-person Exhibition Presentation “Circolo Filologico”,
struggles between life and death, rage and love, hope and despair
pass through, therefore, her artistic work tissue hold by a genuine
vitality, which not much concedes to aesthetical hedonism or to
Pre, review on “Controcorrente” magazine, Milan, 2000.